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Daniel Hesidence approaches his practice as a philosophical totality. Situating himself as the inventor of an ever-expanding universe, Hesidence’s individual pieces provide mere glimpses into a creative infinite. Composing his work in ‘volumes’, Hesidence’s paintings document a self-propelled evolution. Each canvas is distinct yet interconnected, holding its own place in his ‘cosmological’ timeline. Untitled is indicative of Hesidence’s stream of consciousness process. Emerging from the blank white canvas, impassioned smears of colour form a halo around a suggested figure. Rather than defining an image, Hesidence uses the malleable qualities of paint to portray an emotional and psychological state. Distant and dream-like, the intricacies of sentient gesture form a physical representation of the intangibility and impermanence of thought.
Embracing painting as an unlimited form of expression, Daniel Hesidence’s works describe a means of sub-language communication, something primal and emotive that exceeds linguistic structure. Hesidence’s style ranges from figuration to abstraction, but his subject matter is always what lies beyond the surface. Ranging from dense impasto to delicate washes, frenzied brushmarks and disquieting voids, Hesidence’s refined techniques transform reticent sentiment into tactile physicality. Mapping out the idyllic meanderings of cerebral terrain, Untitled’s colourful fantasia playfully conveys amorphous vitality with an aura of pastoral calm.
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